Music

I’m Made In Mexico part of OUT IN THE TROPICS 2019 Presented by FUNDarte

Synopsis:
With outrageous wearable art, fierce Mexico-City performance art diva Astrid Hadad mixes feminism and fabulosity in extravagant events featuring a live band. Hadad confronts politics, Mexican hypocrisy, machismo, and corruption in cabaret-style productions that prompted The New York Times to describe her as “one of the most provocative stage acts since the Weimar Republic was in bloom.”

 

Carnegie Hall Preview: MTT's Playthings Presented by New World Symphony

Share in the excitement as MTT and the NWS Fellows give a sneak peek of their upcoming Carnegie Hall performance! MTT appears as both conductor and composer in Four Preludes on Playthings of the Wind, his setting of Carl Sandberg’s poem about civilization and fate. Featuring dynamite soprano Measha Brueggergosman, backup vocalists, a bar band of jazz musicians and a chamber orchestra, it pays homage to MTT’s musical influences, including Igor Stravinsky, Sarah Vaughan, James Brown and more. MTT then leads the String Fellows in Mahler’s haunting take on Schubert’s famed quartet.

Voices of Central Europe Presented by New World Symphony

The final chamber music concert of the season features Bohemian composers who relished the folk music of their homes. Joining the NWS Fellows is pianist Anne-Marie McDermott, whose virtuosic playing is praised for its elegance. After its banishment for over half a century, Béla Bartók’s Piano Quintet is a rare gem that blends his signature Hungarian folk music with nods to Liszt, Brahms and Richard Strauss.

Fire From Within—Frost School’s Henry Mancini Institute Orchestra Presented by Frost Music Live

Premieres and performances by stellar Frost artists. Frost professor and acclaimed violinist Charles Castleman leads David Amram’s Concerto for Violin and Orchestra, while Frost Studio Music and Jazz chair John Daversa solos on the premiere of Stephen Guerra’s Portrait in Blue.

 

A new work by Henry Mancini Institute Fellow Bryan Kennard rounds out the evening.

Afro Roots Fest ft. Fatoumata Diawara & Noura Mint Seymali Presented by The Rhythm Foundation

MALIAN DIVA AND MAURITANIAN GRIOT: FEMALE AFRO-FUTURIST VOICES AT AFRO ROOTS FEST. Community Arts & Culture, MDC Live Arts, & Rhythm Foundation Present: Malian singer/guitarist Fatoumata Diawara and Mauritanian Griot Noura Mint Seymali at the 21st Afro Roots Festival on April 6, 2019 at the North Beach Bandshell. Buy tickets here. Hailed as one of the most vital standard-bearers of modern African music, Diawara takes her artistry to fresh and thrilling heights on her new album FENFO. Boldly experimental yet respectful of her roots, it’s a record that defines her as the voice of young African womanhood – proud of her heritage but with a vision that looks confidently to the future and a message that is universal. Her spectacular 2011 debut album Fatou made the Malian singer and guitarist the most talked about new African artist on the planet. FENFO (which translates as “something to Say”’) dramatically fulfils that promise on a set of vivid and original new compositions that draw on the rich experiences she has enjoyed since. Those she has worked with include some of the biggest names in contemporary music. She recorded with Bobby Womack and Herbie Hancock; played Glastonbury and other major festivals; and toured with the Cuban pianist Roberto Fonseca. She assembled a West African super-group featuring Amadou and Mariam, Oumou Sangaré and Toumani Diabaté to record a song calling for peace in her troubled homeland; and climbed aboard Damon Albarn’s star-studded Africa Express, which culminated in her sharing a stage with Sir Paul McCartney. Mauritania’s Noura Mint Seymali draws deep on her West African and Maghreb roots to propel her family’s rich griot tradition into the 21st century. Her band conjures “a full-blown sandstorm of hypnotic grooves, melding traditional Mauritanian instruments, like the ardine and tidinite, within an electrified psychedelic rock band (Quietus, U.K.).” Her debut album Tzenni was hailed by VICE/Noisey as “arguably the best psych/blues album of the year” and its follow-up—Arbina—”the best album in the universe.” Afro Roots Fest is co-presented with Community Arts & Culture and MDC Live Arts, and is made possible with the support of the City of Miami Beach Cultural Arts Council, Miami-Dade County Department of Cultural Affairs, the Florida Department of Cultural Affairs, the Knight Foundation, the Doris Duke Foundation, and the National Endowment for the Arts.

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